"people were crying at two French robots"

Despues de ocho años, Daft Punk han vuelto para quedarse, para follarse a tu hermana y lo que haga falta. Como, por ejemplo, patearle el culo a todos los grupos de musica electronica que tienen la desgracia de tocar en la misma carpa. Debe de ser una mierda ser cabeza de cartel en el festival mas grande de America y que te preceda esto. En un tono que recoge y resume todas las criticas al Coachella de este año, Pitchforkmedia concluye:

(...) blablabla Yeah Yeah Yeahs blabla Madonna blabla Massive Attack predictably entertaining if not overwhelming.*

The exception to the headliner rule, and probably to anything said above, was Daft Punk's mindblowing appearance. Not to get hyperbolic, but people were crying at two French robots. Yes, chemicals may have played a part, but Bangalter and Homem-Christo deserve much of the credit for creating a relentless, dynamic live show based around two dudes standing in front of equipment. A towering LED pyramid; dizzying light show; hilariously choreographed camera movements for the screenwatchers; and, of course, an exhausting selection from their catalogue, sequenced on a seemingly impossible upward trajectory for a solid hour. Heart-attack shit. And for all those who argued Human After All's worthlessness: You were wrong.

*el texto en cursiva es un resumen mio del articulo hasta la cita.

Para muestra, youtube. Recomiendo el visionado de estos dos videos juntos: Daft Punk y Kraftwerk. Yo creo que ye podemos hablar de descendencia legitima en este bar.

En España, Daft Punk forman parte del cartel del Summercase junto con New Order, Primal Scream y Massive Attack.